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— Peru 900 AD - 1350 AD A rare Ica (Ika) aryballos from southern coastal Peru. The Storm God is shown here in the typical fashion with googled eyes, ear spools, large fangs and split tongue. Each side of the vessel shows two nicely detailed, mythological figures in battle; all carved in high relief. Acquired via inheritance from her mother who was an artist, collector and world travler. Although referred to as 'axes', these were not made for use as weapons, but were chisels (tools) used to shape and carve stone. Additional linear and geometric designs complete the complex imagery. Small chips on one leg and at the rim edge have been restored along with light paint enhancements. As is typical, it is shown in the seated position and has shortened, bulbous legs tapering to the feet. The leaves of the coca plant were mixed with ground lime, wrapped into a small bundle (called a quid) and chewed to stave off hunger and alleviate altitude sickness. Most of the damage was concentrated around the base (neck) area. Painted in a dark brown-black slip over a cream background, the ovoid-shaped body has realistically sculpted head and forearms held to the face. The front and back sections are painted with linear stripes. The spout has been reattached and a couple of cracks along the body have been restored. Decorated with horizontal and vertical lines and a circular 'eye' design at the rim. A few small chips restored at the rim and light paint enhancements, otherwise intact and original. Some areas of light surface erosion, minor paint loss and deposits remain. It has pierced tapered tripod legs, each containing several large rattle balls. Approx 8.25" tall x 8.25" across 5 — Peru 900 AD - 1100 AD A fine Chancay whistle vessel from ancient Peru. The form is somewhat similar to the later Inca aryballo, but it is unpainted and an unusual shape. Aryballo vessels are seldom seen from this culture. The head shows an elongated snout with appliqued nostrils, coffee-bean style eyes and pierced ears. In good condition with restored breaks and some losses replaced as is common. Condition is very good, especially considering its enormous size. The sides are decorated with complex geometric patterns that are similar, but different from the plate. The shallow bowl is polychrome painted with red and black on an orange background. The exterior has wide bands of red and smaller black lines circling the outer rim. Assembled from four original pieces and the break lines restored along with some light paint touch ups. Originally acquired in 1972 from Hartwell Kennard of Mc Allen, Texas. 6.5" across 0 — Guatemala 250 AD - 600 AD A huge Maya tripod cylinder vessel dating the the Early Classic Period. The figure is nicely adorned with elaborate ear spools and bracelets. An amazing collection of 21 (twenty-one) Pre-Columbian miniatures. 0 — Peru 700 AD - 1500 AD A gorgeous Lambayeque whistle vessel from ancient Peru. The chocolate brown surface is nicely burnished inside and out. Assembled from around a dozen original pieces with breaks restored and some losses replaced. A rare example, the interior (tonto) is divided into three segments. Painted with red over buff-gray terracotta along with some teal paint remaining in the crevices. Two fingers and a portion of the strap across the head have been replaced. Two sets of museum codes written in ink across the top. Vessels with articulated parts are exceedingly rare in Costa Rican pottery. Minor losses replaced and several repaired breaks at the rim. Two of the legs have been reattached and partially restored. Sackler Collections" for a similar example and additional information.
Every purchase comes with a written certificate of authenticity (COA) and are fully guaranteed to be as described. Shipping options are USPS Priority Mail, UPS Ground and Fed Ex. — Mexico 200 AD - 750 AD An exceptional Teotihuacan vessel dating from the late Tlamimilolpa Phase to the early Metepec Phase. Its size, form and condition make this an amazing example that displays dramatically on the custom metal stand which is included. There are three sizes here, possibly representing different monetary denominations. The surface is also slightly clouded by a salt-lime haze which could be cleaned, but is currently in original, as found condition. The figure is shown seated with one arm outstretched, the other curled to the chest and is wearing a broad collar (necklace), turban style headwrap and large circular earspools. A small portion of the headdress has also been restored, otherwise intact. Two human figures with arms held upward and wearing crescent shaped 'solar' headdresses along with two monkeys (or felines) shown in profile also wearing solar headdresses. At the base of the handle are two ball-shaped objects (appearing as testicles) which form the whistles. A crack in the main body has been stabilized and restored. Minor scrapes and dings present along with deposits and some fire clouding. The remainder was later sold through various art auctions in NYC. A flared bowl sits atop three large jaguar heads, each containing their original rattle balls. The figure is of hollow construction with red, tan and black painted and burnished surface. 0 — Peru 400 AD - 600 AD A large and impressive Moche Phase IV portrait vessel from the Northern Coastal region of ancient Peru. 50 — Costa Rica - Panama 1100 AD - 1450 AD An unusual pottery vessel in the form of an armadillo. 5 — Peru 1000 AD - 1400 AD A Chancay painted bowl from ancient Peru. Outside of the obvious losses, they are intact with nice deposits. The face and hands are painted in yellow-gold pigment, otherwise covered in a cream-tan slip with deposits and some root marks present. Assembled from original pieces (as is common) with break lines restored and minor losses replaced. In the other hand is a five-lobed ceremonial rattle. 0 — Peru 700 AD - 1000 AD A rare Wari aryballo (water transport vessel) from ancient Peru. The vessel is rounded with a flat bottom and has a flared spout. Rounded bottom with corseted sides; an elegant form. He (she) smiles widely exposing filed teeth and has almond shaped eyes. It depicts a central band of stylized birds with rows of waves (water motif) at the top and bottom. The gently curving sides of the bowl are finely painted in diagonal stripes. The back is completely painted with parallel lines in black on tan. Assembled from approximately six original pieces with breaklines partially restored and slightly visible. The cream colored surface is nicely burnished inside and out with areas of orange and black (fire clouding) on one side. Assembled from three original pieces with breaks restored. Minor surface wear, dings and scratches along with light deposits consistent with age. By far the largest examples of this type I have ever seen. Condition is very good, near excellent with a small hairline crack and minor rim chips restored. Around the top of the lower chamber is a band of incised decoration done in a repeating triangular pattern. 7.25" tall x 7" across 50 — Mexico 300 AD - 400 AD A medium-large Teotihuacan tripod vessel dating to the Early Xolalpan Period. Constructed of tan terracotta with orange pigment on the face and nose ornament. Carved from green speckled stone with earthen deposits. The headdress is two alligator heads facing outward. Restoration to the corner of the head and one foot. The exterior is nicely incised with complex geometric patterns. It has pierced tapered tripod legs, each containing numerous small rattle balls.
Provenance and accurate, detailed condition information is included with each listing. Discount may apply on the purchase of multiple items. International sales (outside of the United States) require payment via Pay Pal. An elaborately sculpted depiction of the Teotihuacan 'Storm God' deity or Water God, also known as Tlaloc by numerous other cultures. A larger one flanked by 2 medium sized ones are displayed on a custom metal stand. A lovely example from a seldom seen Bolivian culture. Hollow construction from buff terracotta with areas of red pigment remaining at the waist, ear spools and headdress. The background areas are covered with raised dots, representing rainfall. Intact with no cracks, breaks, repairs or restoration. A fine and very early example of erotic art from that region. The jaguar motif continues on the interior of the bowl where a row of four stylized felines circle the inner rim. A classic depiction of the Chinesco 'Type-D' style. This life-size example portrays an individual with chubby cheeks; possibly a depiction of a 'coca chewer'. Heavily potted from a coarse gritty clay indicative of Costa Rican wares, but shows strong Panamanian (Cocle) stylistic influence. Rounded bowl with nearly straight neck and rolled rim. The hands are nicely sculpted and show painted fingernails. The head is intact with only two spout chips restored. Approx 13" tall x 8.5" across 5 — Costa Rica 400 AD - 700 AD An unusual tripod rattle vessel from Costa Rica's Atlantic Watershed Zone. Redware construction with opposing loop handles and flared spout. A male figure emerges from the upper shoulder of the vessel. Nicely painted with a band of glyphs or pseudo-glyphs in vibrant shades of red and black against a tan background. The headdress features an interlocking, woven mat design in high relief. The lower edge is decorated with long rectangular strips (fringe). Minor paint enhancements and light deposits present. The plate (shallow bowl) is flat on the bottom and shows the central image of Tlaloc. The upper bowl is identical in form to the plate, flat bottom and widely flared rim. Scattered deposits and some very light surface wear. Above that is a domed platform topped by a large seated figure with hands resting on his legs. A cylindrical bowl sits on three hollow, rounded legs. 5 — Panama 600 AD - 800 AD An attractive Cocle polychrome pedestal bowl from ancient Panama. The stomach protrudes slightly, possibly indicating pregnancy. Faint traces of other colors remaining in some areas. The bowl sits atop three hollow mammiform legs, each containing a rattle ball. The legs support a semi-hemispherical bowl with curving shoulder that is decorated with appliques and incised bands, topped by tall chimney-type neck and flared spout. A large section of the neck has been replaced along with other repairs and surface touch ups.
If they ever left in the first place.” As the report explains, shortly after the adult section was shuttered, AIM reviewed the classified site and found that “there were few if any blatant ads for prostitution.” But now, AIM has found that “ads that appear to be for paid sex work are posted regularly” on Craigslist.
Granted, the numbers are much lower than they were before the site closed its “adult services” section — and specific stats weren’t available ahead of this writing — but “some [ads] were as blatant as they were” before the closure, and a subset included terms like “barely legal” (which is often used to signal the opposite: underage girls).